Segmenting Bebop Scales 124 Ascending and Descending Permutations

Segmenting Bebop Scales 124 Ascending and Descending Permutations by Bruce Arnold

Segmenting Bebop Scales 124 Ascending and Descending Permutations by Bruce Arnold

This book by Bruce Arnold “Segmenting Bebop Scales 124 Ascending and Descending Permutations,” is an in-depth analysis on the application of segmenting Bebop scales into 124 ascending and descending permutations. The meticulous examination delves into the intricate patterns derived from these segmented scales, shedding light on their musical significance and structural variations especially as it relates to jazz improvisation.

By scrutinizing the ascending and descending permutations of Bebop scales, a comprehensive understanding of their melodic properties is achieved. This study contributes to the scholarly discourse on music theory and improvisation techniques, offering valuable insights into the creative possibilities unlocked by segmenting Bebop scales.

The research in this book elucidates the intricate nuances of Bebop scales and their permutations, providing a rich resource for musicians and scholars alike to explore the complexities of this musical domain especially in how it relates to the jazz sound and octatonic scales.

Working with the “Segmenting Bebop Scales 124 Ascending and Descending Permutations” course is an important part to creating the Bebop sound used in jazz improvisation.  As you learned in the “124 Bebop Scales” course, Bebop scales are 8 note scales, these are usually common seven notes scales where an added note is tacked on which creates a 3 note chromatic passage at some point within the scale.

To get the Bebop effect musicians tend to gravitate towards not only segmenting Bebop scales but also gravitating towards the section of the Bebop scale that contains the added note.  By doing this you create the characteristic jazz sound often used in the Bebop era.

In this course Bruce Arnold takes you through some of the common Bebop scales and segments them both ascending and descending.  There are also a host of other octatonic scales found in the course, 124 Bebop Scales to be exact, that could be used as Bebop scales but also could be used as an eight note scale to compose or improvise with in jazz improvisation or other idioms.

Segmenting Bebop scales is present in 12 keys for all 124 Bebop Scales.  This is a vast resource for both developing a jazz sound but also for exploring octatonic scales.  I’d recommend starting with the more common Bebop scales which are listed on page 2 of the course.  I would learn to segment two or three Bebop scales before moving on the “Segmenting Bebop Scales with Approach Notes.“ or exploring some of the other octatonic scales found in the course.

You will quickly find that not only do these segmented Bebop scales give you a strong “Jazz Sound” but they also helps you understanding time and groove. In the traditional way of using these scales you need to put the chord tones found in the Bebop scale on the beat. This takes a while especially if you have never thought of playing scales this way.

The main part of this course is found in the 248 pages that segment the Bebop scales ascending and then again another 248 pages that segment the Bebop scales descending.  Being able to segment a Bebop scale means you know the scale in a much more profound way and this technique is often found in jazz improvisation and is key to creating the jazz sound so often used in the Bebop style.

This course will teach you to start the Bebop scale in 4 different places which will prepare you for the next course “Segmenting Bebop Scales with Approach Notes.

You can purchase this book at Muse Eek Publishing Inc.
You can also purchase this book at Bruce Arnold Patreon Site.

Table of Contents:

Segmenting Bebop Scales
Common Bebop Scales
Course Breakdown
124 Bebop Scales
Bebop Scales and Chords They Work Over
How to Practice Bebop Scales
Segmenting Bebop Scales Examples
Conclusion

List of Contents for Segmenting Bebop Scale Course:

60 Page PDF
124 Bebop Scales Ascending (248 pages) with midi files
124 Bebop Scales Descending (248 pages) with midi files

Jam Tracks V1 (MP3’s of 10 chord types in all 12 keys)

ISBN: 978-1-59489-289-9

Bruce Arnold Music Education Genealogy Chart

You might enjoy checking out the “Music Education Genealogy Chart” located on my artist’s site. You will clearly see the historic progression of pedagogy that is the basis for Muse Eek Publishing Products. Great musicians throughout history have been studying the ideas presented by Muse-eek.com which derives its content from a a lineage that stretches back to Scarlatti!

 

Segmenting Bebop Scales 124 Ascending and Descending Permutations by Bruce Arnold
Guitarist and Author Bruce Arnold

Segmenting Bebop Scales with Approach Notes

Segmenting Bebop Scale with Approach Notes by Bruce Arnold
Guitarist Bruce Arnold BLOG Logo jazz guitar Two Triad Pairs found in The Harmonic and Melodic Equivalence Series
 
This course on Segmenting Bebop Scales with Approach Notes delves into a sophisticated analysis of jazz improvisation techniques. By meticulously dissecting the intricate relationship between bebop scales and approach notes, a comprehensive understanding of melodic segmentation and phrasing is achieved.
 
This scholarly exploration sheds light on the nuanced application of approach notes within the context of bebop scales, offering invaluable insights for musicians and music enthusiasts alike. Through a systematic examination of these musical elements, a deeper appreciation for the artistry and complexity of jazz improvisation is cultivated. In essence, the study of Segmenting Bebop Scales with Approach Notes illuminates the intricate tapestry of musical expression inherent in jazz performance.

 

Muse Eek Publishing Inc. and author Bruce Arnold have a new course called “Segmenting Bebop Scales with Approaches” it uses the same 124 octatonic scales as the previous course “Segmenting Bebop Scales.”  The main difference is this course is the inclusion of 11,904 PDFs and Midi files for the exercises and an explanation of approach notes commonly called neighboring or passing tones.  This whole books concept is often overlooked by musicians who want to use Bebop scales.  By using the techniques found in this course not only will you have a whole new way to apply Bebop scales but it will also  change your phrasing which is crucial in jazz improvisation.

The use of approach notes in “Segmenting Bebop Scales with Approaches” requires a whole new set of skills which will become apparent as you read through the course. Approach notes of course are chromatic or diatonic passing tones and the study of them is quite a journey because of the number of approach note figures and the mirrored number of ways they can be used.
 
This author spent many years working on the similar rote exercises as found in this book to help with developing jazz improvisation skills. I also spent a lot of time applying these figures to jazz standards.  In short this is a multiple year task for most musicians to get these ideas into their playing but well worth the time because of all the positive changes it will create in your musicianship. “Segmenting Bebop Scales with Approaches” will of course give you a strong “Jazz Sound” but it will also help your understanding phrasing in a whole new way. By anticipating the segmented Bebop line you create a whole new way to phrase.
 
For a complete study of Approach Notes and their relationship to jazz improvisation I recommend the Approach Note course which takes you through 24 ways to use approaches and is hands down the complete course in how to use and apply approach note theory.   Approach notes especially when played on the guitar is a multiple year study because the number of ways any approach note can be played on the guitar. 
 
If you want to purchase this book you have a few possible ways:
 

Purchase this course at Muse Eek Publishing Inc.

Segmenting Bebop Scale with Approach Notes by Bruce Arnold

Purchase this course at Bruce Arnold’s Patreon Page

Segmenting Bebop Scale with Approach Notes by Bruce Arnold

Table of Contents:

Segmenting Bebop Scales with Approaches

Common Bebop Scales

Approach Notes Course

Breakdown 124 Bebop Scales

Bebop Scales and Chords They Work

Over How to Practice with this Course

Segmenting Bebop Scales with Approaches Conclusion

List of Contents for Segmenting Bebop Scales with Approaches Course:

 
62 Page PDF
 
Ascending Bebop Lines with 12 Different Chromatic Approaches all keys 124 Scales
 
Ascending Bebop Lines with 12 Different Diatonic Approaches all keys 124 Scales
 
Descending Bebop Lines with 12 Different Chromatic Approaches all keys 124 Scales
 
Descending Bebop Lines with 12 Different Diatonic Approaches all keys 124 Scales Jam Tracks V1 (MP3’s of 10 chord types in all 12 keys) ISBN: 978-1-59489-290-5

Bruce Arnold Music Education Genealogy Chart

You might enjoy checking out the “Music Education Genealogy Chart” located on my artist’s site. You will clearly see the historic progression of pedagogy that is the basis for Muse Eek Publishing Products. Great musicians throughout history have been studying the ideas presented by Muse-eek.com which derives its content from a a lineage that stretches back to Scarlatti!  

Segmenting Bebop Scales with Approach Notes by Author Bruce Arnold
Bruce Arnold Author and Guitarist

495 Eight Note Scales in all 12 keys

495 Eight Note Scales in all 12 keys

Guitarist Bruce Arnold BLOG Logo jazz guitar Two Triad Pairs found in The Harmonic and Melodic Equivalence Series  

495 Eight Note Scales in all 12 keys

Bruce Arnold’s “495 Eight Note Scales in all 12 keys” course covers the 495 possible eight note scales and gives you that information in all 12 keys.  This is pretty unheard of as far as a published lexicon of eight note scales.  While most musicians are familiar with the common octatonic scales of diminished many times they overlook a few facts about eight note scales.

First, I think the most important thing to realize you can take any scale that is commonly used over a dominant chord and add one more note to this scale.  This added note would be one of the 6 available tensions.  There are a few common examples of this like using this scale as a replacement for a G7 chord: G,Ab,Bb,B,C,D,Eb,F which is like a G mixolydian b2,b6 scale with an added Bb.  There are tons of other possibilities which are all covered in this course.

To get into the specifics “495 Eight Note Scales in all 12 keys” looks at of course the 495 octatonic scales but also includes their internal structure, which chords they can be played over and much more information to help you organize your study. The interesting this is that all of these 495 possible eight note scales can be reduced down the 29 prime forms using pitch class set theory that can be helpful when you are organizing how these octatonic scales interrelate but also help in their memorization.

In the 495 Eight Note Scales in all 12 keys I’ve also include references to these prime forms throughout the course. The pitch class set theory information is by no means crucial to working with this course but over time I’m sure you will see its usefulness. I’ve written another book called “Sonic Resource Guide.” if you want to learn more about pitch class set theory and how it can be used by an improvising musician.

Since most musicians aren’t aware of the use of octatonic scales I’ve Included in the “495 Eight Note Scales in all 12 keys” course a list of compositions by various composers who have used octatonic scales. I think it’s important to listen to some of this music to give you ideas and inspiration. I would also recommend you check out the music and improvisations of guitarist Alan Holdsworth. Mr. Holdsworth’s use of octatonic scales in his compositions and improvisations is one of the reasons his music sounds so different.

“495 Eight Note Scales in all 12 keys” also contains a list of the two tetrad (4 note) chords that form the complete eight note scale. This is a highly useful list that shows the Two Tetrad combinations for the 29 possible pitch class sets. This list again comes from the “Sonic Resource Guide” which I mentioned earlier.  The Two Tetrad list is a great technique for finding two chords that can be used to make up a octatonic scale but also is a great improvisational technique in itself which I highly recommend.

You can purchase this course in a few ways. 

Purchase at Muse Eek Publishing Inc.495 Eight Note Scales in all 12 keys

Purchase at Bruce Arnold’s Patreon Site

495 Eight Note Scales in all 12 keys

 

Below is a list of the table of contents from the “495 Eight Note Scales in all 12 keys”course

 

Table of Contents:

Composers and Musicians that have used Octatonic Scales 495 Eight Note Scales How to Work with this Course “Derivative” Composition Chords and Available Tensions Ways to Implement Diatonic Octatonic Chords 495 Eight Note Scales with Prime Form Diatonic Chords of Eight Note Scales Diatonic Chords of the Key of C Conclusion

 

List of Contents for 495 Eight Note Scales Course:

 
24 Page PDF
 
“Octatonics Prime Form, Degrees, Forte Number, Chord Application” PDF 260 pages
 
495 Scales with All 12 Chromatic Modes
 
All 495 Eight Note Scales in all keys 372 Pages of PDFs with Midi Files
 
All 495 Eight Note Scales in all Keys Ascending-Descending 744 Pages of PDFs with Midi Files
 
29 Two Tetrad Combinations 29 Eight Note Prime Forms 29 Page PDF
 
Three Tetrad Combinations Page 30-58 of above PDF.
Jam Tracks V1 (MP3’s of 10 chord types in all 12 keys) ISBN: 978-1-59489-292-9

Bruce Arnold Music Education Genealogy Chart

You might enjoy checking out the “Music Education Genealogy Chart” located on my artist’s site. You will clearly see the historic progression of pedagogy that is the basis for Muse Eek Publishing Products. Great musicians throughout history have been studying the ideas presented by Muse-eek.com which derives its content from a a lineage that stretches back to Scarlatti!

495 Eight Note Scales in all 12 keys a book by Bruce Arnold
Bruce Arnold photo by Bernard Levy

Bebop Scales 124 Bebop Scales and Their Application

Bebop-Scales-124-and-Their-Application
Bebop Scales 124 Bebop Scales and Their Application

This book by Bruce Arnold titled “Bebop Scales 124 Bebop Scales and Their Application” delves into an extensive exploration of various Bebop scales and their practical use in musical contexts. Within this comprehensive resource, readers can expect to find in-depth explanations of 124 distinct Bebop scales, along with detailed insights into how these scales can be effectively applied in musical compositions and jazz improvisation.

By meticulously examining each scale and its unique characteristics, this book equips musicians with a valuable toolkit for enhancing their understanding and utilization of Bebop scales in their musical endeavors. With a focus on both theoretical knowledge and practical application, “Bebop Scales 124 Bebop Scales and Their Application” serves as a valuable reference for musicians seeking to expand their repertoire and deepen their grasp of Jazz theory. Through its systematic approach and detailed analysis, this document offers a comprehensive guide to mastering Bebop scales and leveraging their full potential in musical performance and composition.

Bebop scales are some of the most commonly known octatonic scales and are one of the techniques used by jazz musician to create a “Bebop Sound.” They are used in a very specific way so they are in a special class of eight note scales. Most musicians are familiar with a small subset of Bebop scales used in jazz improvisation.

This course looks at the common Bebop scales as well as many more. You can see from the Table of Contents below that many aspects of Bebop scales are covered as well as an introduction to some of the other courses which cover; Segmenting Bebop scales on Muse Eek Publishing website or Segmenting Bebop Scales on Patreon and Segmenting Bebop scales with Approaches on Muse Eek Publishing Website or Segmenting Bebop Scales with Approaches on Patreon.

You would see by checking out these three courses that you get an in-depth study of Bebop Scales which goes way beyond most books on the subject.  Theses three courses mentioned above will really help you to grasp the full potential of Bebop Scales. Overall “Bebop Scales 124 Bebop Scales and Their Application” is a great place to start learning Bebop Scales, understanding their use and seeing future ways that you can practice and apply them.  

Table of Contents:

Bebop Scales

Common Bebop Scales

Course Breakdown

29 Octatonic Scales

Seventh Chords Continued

124 Bebop Scales Chromatic Modes of Bebop Scales

Bebop Scales and Chords They Work Over

Going Beyond Bebop Scales

Diatonic Chords of Eight Note Scales; an introduction

Chord Tones and Available Tensions

Passing Diminished

Chords Derived from an Eight Note Scale; an introduction

Application of Eight Note Scales; an introduction

As you can see from the TOC this course explores Bebop Scales on a very deep level.  It also includes references to Pitch Class Set Theory so that you can see how all scales are related back to the 29 Eight Note Scale Prime Forms.

Bruce Arnold’s new book called Bebop Scales 124 Bebop Scales and Their Application is for sale at Muse Eek Publishing Inc. website or at Bruce Arnold’s Patreon site.   There are links below to these sites:

 

Bebop Scales book on Muse Eek Publishing WebsiteBebop-Scales-124-and-Their-Application

Bebop Scales book on Patreon SiteBebop-Scales-124-and-Their-Application

Below are some excerpts from the “Bebop Scales 124 Bebop scales and Their Application.”  Again, Bruce Arnold gives you an overview of the three courses that make up the thorough examination of Bebop scales and beyond.

 

Forward page from Bebop Scales 124 Bebop Scales and Their Application

Bebop Scales 124 Bebop Scales and Their Application

Chromatic Modes of a Bebop Scale Example

Bebop Scales 124 Bebop Scales and Their Application Chromatic Modes
Chromatic Modes of a Bebop Scale Example

 

Chords that Bebop Scales Work Over Example

Bebop Scales 124 Bebop Scales and Their Application  Chords that Bebop Scales Work Over Example

 

495 Bebop Scale List Excerpt

Bebop Scales 124 Bebop Scales and Their Application 495 Bebop Scale List excerpt from the book Bebop Scales: 124 Bebop Scales and Their Application

Bruce Arnold Music Education Genealogy Chart

You might enjoy checking out the “Music Education Genealogy Chart” located on my artist’s site. You will clearly see the historic progression of pedagogy that is the basis for Muse Eek Publishing Products. Great musicians throughout history have been studying the ideas presented by Muse-eek.com which derives its content from a a lineage that stretches back to Scarlatti!

 

Bebop Scales: 124 Bebop Scales and Their Application by Bruce Arnold
Bruce Arnold Playing a Rayco Resophonic Lab Slide Guitar